the ideology of change is very present nowadays from the Obama campaign to the scientists, ecologists and contemporary theoreticians. seems that we are in a middle of an acceleration change period. the exponential growth is the law for almost all the parameters (climate changes, population growth, debt, species extinctions, energy costs, etc). the system is close to a limit and the models of behaviours, values and beliefs of actual human being are pointed to be the basis of a very complex crisis. and the "solution" that appear more and more often is a human transformation, a radical change in the behaviors, values and attitudes. upgrading, transcending, evolution, transhumanisation - this seems to be the collective dream of this years, reflected also in the recent SF movies like Avatar, a need for a new kind of human being, a post-human being for a post-apocalyptic world.
manufacturing alive artistic products:
the process will be focused on developing "florin flueras" and "iuliana stoianescu" as humans/transhumans/posthumans artistic projects.. we are curios to see what will produce a shift of focus from an artistic object - the performance - towards human beings. we are inspired by reality shows, documentaries, and hiperreality aesthetics. we are interested to question the life-art separation and maybe to go "back" to a more human approach - to research maybe in the opposite direction than the proposals from recent SF movies..
and the approach is not selfish - recently in science (morphic field theory) is demonstrated that if you change/discover/understand something for your self, automatically, in a mysterious way the rest of humanity is affected.. Our ambitions are very big, we want to change the world..
one practice would be to perform all the time (for some periods) - anyway we perform our constructed image of the self, why to be so restrictive.. usually the real life feed the work, the tendency is to transfer/express/investigate issues from real life into the work. we want to reverse this - to bring the performativity into life, the performativity to invade the normal life situation. we are curios to explore the limits - continuously working, continuously rehearsing this situation probably will affect equally our lives, our working process and our performance..
2 ways of working:
positive work:
to go ultrapersonal - psychotherapy aesthetic;
expand our real identity - to integrate in our identity foreign behaviors, attitudes and values;
using empathy as a way of embody different identities;
improvement practices from different cultures (like different strange shamanic practises);
affectivity investigation;
blurring the life-work relation till extreme;
love in life-work environments;
reality - mediate reality - fiction relation
twitter accounts, facebook and blogs to play also with our extended, online identities (avatars)
negative work:
we are mainly cultural constructed identities so we will try to deconstruct and create awareness about the cultural, social, national, familial, sexual, racial, artistic identities;
our self-schema becomes self-perpetuating - investigate and maybe affect this;
questioning the cultural provided relationship image;
diminishing the ego practises;
about performance:
we are curios to find a different ideology about performer - audience relation. all the intermediate steps between performer and audience are questionable (convention, representation, artistic languages, aesthetics). im interested in stage, not as a place for fantasy, creativity, imagination and representation but as a place for hyper-reality, not an escaping place but a confronting place. we will play also with the performance frame, trying to "escape" the artistic/dance frame - what is nowadays the difference between an artistic process, a philosophical, a scientific, neoshamanic-spiritual one?